Yann Tiersen
Yann Tiersen (d. 23 Haziran 1970, Brest-Fransa), deneysel, minimalist Fransız müzisyen, multi-enstrümantalist Eserlerinde genellikle piyano, akordeon, keman ve ailesi, gitar kullanır. Bunların dışında toy piyano, carillon, banjo, mandolin, harpsikord (klavsen), vibrafon, bas gitar, melodika (hatta daktilo) enstrumanlarını çalmakta ve müziğine yerleştirmektedir.
Eleştirmenler kendisini Erik Satie, Nino Rota ve the Penguin Café Orchestra gibi isimlerle bir arada anarlar. Pekçok ödül kazanan soundtrack albümleri dahil tüm albümleri BMG Music Publishing tarafından çıkarılmıştır.
Eleştirmenler kendisini Erik Satie, Nino Rota ve the Penguin Café Orchestra gibi isimlerle bir arada anarlar. Pekçok ödül kazanan soundtrack albümleri dahil tüm albümleri BMG Music Publishing tarafından çıkarılmıştır.
Yann Tiersen (born June 23, 1970) is a French Avant-Garde/New Age Musician and composer known for his versatility, minimalist compositions, and virtuosity as a multi-instrumentalist. Most of his pieces include piano, accordion, melodica and violin, although many offer a much wider selection of instruments and sounds
Tiersen was born in Brest in 1970 and received classical training at several musical academies, including those in Rennes, Nantes, and Boulogne. Before releasing scores under his own name, Tiersen recorded background music for a number of plays and short films, such as La Vie Rêvée des Anges (1998, Erick Zonca), Alice et Martin (1998, André Téchiné), Qui Plume la Lune? (Christine Carrière, 1999).
He rose to domestic fame upon the release of his third album, Le Phare, but remained relatively unknown outside France until the release of his score for Le fabuleux destin d'Amélie Poulain in 2001, which was a mixture of both new and previously released material.
Tiersen favors the piano, accordion, and violin, but is also known for his experimentation and use of obscure instruments like the ondes martenot and the typewriter.
Tiersen was born in Brest in 1970 and received classical training at several musical academies, including those in Rennes, Nantes, and Boulogne. Before releasing scores under his own name, Tiersen recorded background music for a number of plays and short films, such as La Vie Rêvée des Anges (1998, Erick Zonca), Alice et Martin (1998, André Téchiné), Qui Plume la Lune? (Christine Carrière, 1999).
He rose to domestic fame upon the release of his third album, Le Phare, but remained relatively unknown outside France until the release of his score for Le fabuleux destin d'Amélie Poulain in 2001, which was a mixture of both new and previously released material.
Tiersen favors the piano, accordion, and violin, but is also known for his experimentation and use of obscure instruments like the ondes martenot and the typewriter.
posted by geronimo @ 2:42 AM
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